John Simpkins

John Simpkins directed the three-time Drama Desk nominated Off-Broadway production of Bloodsong of Love (by Tony nominee Joe Iconis) at Ars Nova. Also with Mr. Iconis, he directed the World Premieres of Love in Hate Nation (Two River Theater), The Black Suits at Center Theatre Group (Kirk Douglas Theatre) and Family Album, which he co-conceived.

New York credits also include the Off-Broadway productions of The Bus (59E59 Theatre); ReWrite (Urban Stages); The Plant That Ate Dirty Socks (Theatreworks, USA- Lucille Lortel Theatre); Things to Ruin (which he co-conceived and directed productions of at Second Stage, Le Poisson Rouge, Zipper Factory, Joe’s Pub, Ars Nova, NYMF) and The Black Suits (SPF at the Public Theatre – starring Annie Golden, Jason Tam, and Krysta Rodriguez). International productions include the World Premiere of Legendale (music by Andrea Daly, words by Jeff Bienstock) at Fredericia Teater in Denmark.

Regional productions include Raging Skillet (World Premiere – Theaterworks Hartford); Legendale (American Premiere – Human Race Theatre Company); Hairspray (North Carolina Theatre); The Black Suits (Barrington Stage – starring Ben Platt, Will Roland, Annie Golden); Damn Yankees (Engeman Theatre – starring André De Shields, Felicia Finley, Austin Miller); Jersey Boys (Weston Playhouse); I Love You, You’re Perfect, Now Change (Engeman Theatre); A Wonderful Life (Engeman Theatre); Annie (Sacramento Music Circus); Cabaret (Sacramento Music Circus- starring Teri Ralston, Jacquelyn Piro, Max von Essen); Evita (Lyric Theatre of Oklahoma).

John served as Artistic Director at Sharon Playhouse from 2011-2016– where he directed Quartet (starring Tony Winner Elizabeth Franz), Judge Jackie: Disorder in the Court (Kooman/ Dimond – starring Klea Blackhurst), Nine Wives, True Love, Georgie (written by and starring Ed Dixon), Merrily We Roll Along (starring Jason Tam, A.J. Shively), Big River, Falsettos, Les Miserables, They’re Playing Our Song (starring Lauren Marcus, Eric William Morris), Damn Yankees, The Best Little Whorehouse in Texas, Altar Boyz, Rent, A Funny Thing…Forum and The Wedding Singer.

A strong supporter of the development of new work, he has commissioned and directed Love in Hate Nation (Joe Iconis), The Last Day (Mike Reid/ Sarah Schlesinger), The Lucky Boy (Kirsten Childs), Dust and Embers (Sam Salmond), Nostalgia Night (Matthew McCollum, Sofya Levitsky-Weitz); Make it All Better (Gilbert Bailey); Me and My Friends Killing Nazis (Alexander Sage Oyen, Lauren Marcus, James Presson); In-Gauged (Christian Thompson, Maria Wirries); The Morris & Essex Line (Joshua Salzman, Ryan Cunningham); and Trampoline (Deborah Abramson, David Kirshenbaum) through a New Musicals Initiative he created and curates at Penn State University.

He has also directed NYC and Regional workshops/ readings/ productions of the new works Tyrants (Alexander Sage Oyen, Nora Brigid Monahan – National Archives); For Better, For Worse (Reed Arnold); Adam Lives (Goodspeed Opera House); ReWrite (Goodspeed Opera House); Hellraisers (Barrington Stage); Fantasy Football, the Musical; All the Kids Are Doing It; When the World Ends (Blaemire- Ars Nova); Ripper (NAMT); Party Come Here (David Kirshenbaum/ Daniel Goldfarb); Go-Go Beach (NYMF – 37 Arts); Pool Boy (Tsakalakos/ Allard); Next Thing You Know (Berkshire Theatre Festival); Queen Esther (Merkin Hall); Half Married (Cunningham/ Antin); Plastic! (Maddock/ Iconis/ Jacobs - York Theatre), You Don’t Know Jack (York Theatre), Bad Kid School (Barrington Stage), 29 (Alter/ Newman), Lyrical Langston Hughes (New Triad- Lincoln Center), Blood Drive (Rachel Sheinkin), Beasts and Saints (Mindi Dickstein) and Like You Like It (Buck/ Acquisto).

Upcoming projects include a NYC production of The Jonathan Larson Project.

In addition to his directing life, John is Head of Musical Theatre at Penn State University. Prior to joining Penn State, he was a member of the faculty at NYU - where he directed Sweet Smell of Success, Floyd Collins, A Man of No Importance, The Fix, Kiss of the Spider Woman, Violet, Urinetown, Merrily We Roll Along, Parade, Fiorello! and A New Brain. His production of Parade was preserved and is on reserve at Lincoln Center’s Theatre on Film and Tape Archive.

John holds a Bachelor of Music from Miami University and a Master of Arts from NYU. He is active in NAMT (National Alliance for Musical Theatre) and maintains partnerships with Concord Theatricals and NYU’s Graduate Musical Theatre Writing Program. He is on the Board of the Marvin Hamlisch International Music Awards.

www.john-simpkins.com

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