Mark Ferraguto
- Associate Professor, Musicology
-
Musicology
227 Music Building I
- Email mcf18@psu.edu
- Phone 814-865-7036
Biography
Mark Ferraguto, Associate Professor of Musicology, specializes in the music and culture of 18th- and early 19th-century Europe. His teaching and research interests include the music of Haydn, Mozart, and Beethoven; folk music and exoticism; historical performance practices; critical editing; and music and politics.
Ferraguto’s research explores how the contours of cultural and political history can illuminate musical works and styles. His book Beethoven 1806 (Oxford University Press, 2019) examines the music of this year through a microhistorical lens, showing how it relates to the desires and demands of Beethoven’s patrons, performers, audiences, critics, and publishers. His work also investigates music’s role in international relations. Co-organizer of the interdisciplinary conference “Music and Diplomacy” (Harvard and Tufts Universities, March 2013), he co-edited Music and Diplomacy from the Early Modern Era to the Present (Palgrave Macmillan, 2014).
Ferraguto received his Ph.D. in musicology with a concentration in performance practice from Cornell University. He has received grants from the Andrew W. Mellon Foundation and the American Musicological Society, among others, and has presented his research at conferences throughout North America and Europe. In 2017, he was a research associate at the IES Abroad Center in Vienna, where he also guest lectured. His work has been published in such journals as Early Music, Music and Letters, HAYDN, the Journal of the American Musicological Society, and Studia Musicologica. His article in Music and Letters, on luxury and diplomacy at the Razumovsky Palace in Vienna (vol. 97, no. 3, August 2016), won the journal’s Westrup Prize “for an article of particular distinction.” His work has also appeared in edited collections such as the Cambridge Companion to ‘The Magic Flute’ (2023), The String Quartet in Beethoven’s Europe (2022), the Cambridge Companion to the ‘Eroica’ Symphony (2020), the Cambridge Haydn Encyclopedia (2019), and International Relations, Music, and Diplomacy: Sounds and Voices on the International Stage (2018).
Ferraguto’s recent work also includes critical editions of little-known chamber works by Beethoven’s contemporaries Franz Weiss (1778–1830) and George Bridgetower (1778–1860). His edition of Weiss’s Two “Razumovsky” String Quartets (A-R Editions, 2023) served as the basis for the works’ modern premiere (2023) and first-ever recording by the Toronto-based Eybler Quartet (forthcoming 2024). His edition of Bridgetower’s quintets for flute and strings, co-edited with Nicole Cherry (A-R Editions, forthcoming), is the first critical edition of works by Bridgetower, an Afro-European violinist who was celebrated throughout Europe in the early 1800s.
Ferraguto teaches courses on a variety of topics, including Music and National Identity, Beethoven’s Vocal Music, Mozart’s Last Year, Historical Performance Practices, Critical Editing, Music and Diplomacy, and the Concerto from Vivaldi to Beethoven, as well as larger survey courses. In 2019, he was awarded the Faculty Outstanding Teaching Award from the College of Arts and Architecture.
An active performer on organ and harpsichord, Ferraguto is an associate of the American Guild of Organists and a recipient of the Guild’s AAGO Prize. He serves as organist at Faith United Church of Christ. Prior to joining the Penn State faculty, he taught at Cornell University and the Hartt School.