People in the Department of Art History

PhD Students

Arunima Addy

Degree: PhD in Architecture
Research Focus: South Asian architectural and urban history
Dissertation title: Diaspora of Indian Temple Architecture
Academic Adviser: Madhuri Desai
aua1169@psu.edu

Arunima Addy is currently a PhD candidate in Art History with dual title in Asian Studies. She has been a practicing architect in India, before joining the graduate program at Penn State. Arunima has her research interests in the relationship between the politics of religion and the construction of national identity, specifically with the rising sentiments of Hindu nationalism in India. She looks at visual representations in the built environment to understand how through architectural establishments religion is being used as a political tool to frame an image of the nation. For her dissertation, she is investigating the relationship between the politics of religion and nation-building particularly with respect to changing dynamics of Indian temple architecture in the neoliberal perspective where religion is becoming a global commodity.

Han Chen

Degree: PhD in Art History and Asian Studies
Research Focus: Modern and Contemporary Chinese and East Asian Art, history of collecting and exhibiting
Dissertation title: TBD
Academic Adviser: Chang Tan
hbc5231@psu.edu | CV

Han Chen is a PhD student specializing in the history of collecting and exhibiting Chinese and East Asian art in the Euro-American context from the late nineteenth-century to the present day. She received her B.A. in 2016 and M.A. in 2019 from China Academy of Art. In 2021, she received her second M.A. from Penn State where she wrote her thesis entitled, “Selling China: A neglected encounter between Huo Mingzhi and France in the early twentieth century.” She has worked for the Palmer Museum of Art at Penn State and the Freer and Sackler Gallery of Art as a curatorial intern. Her current interest lies in employing machine learning to realize the image inpainting of photographs of Chinese antiques.

Melanie Clark

Olivia Crawford

Degree: PhD in Art History
Research Focus: Nineteenth-century European Art and Architecture, Post-colonial Studies, Jewish Studies, Middle Eastern and North African Studies.
Dissertation title: TBD
Academic Adviser: Nancy Locke
ofc1@psu.edu

Olivia Crawford received her B.A. in Art History and French and Francophone Studies from the University of Tennessee, Knoxville in 2016 and her M.A. in Art History from Penn State University in 2018. She is currently a Ph.D. student in the Department of Art History at Penn State.

Her current research examines representations of colonial and metropolitan Jewish communities in French Orientalist art and architecture. Her dissertation prospectus is forthcoming.

Crawford lives and works in Knoxville, TN.

Noah Dasinger

Degree: PhD in Art History
Research Focus: Fifteenth-Century Italian Sculpture 
Dissertation title: TBD
Academic Adviser: Daniel Zolli
nfd5261@psu.edu | LinkedIn | CV

Noah Dasinger is a first-year Ph.D. student studying Italian Renaissance art and architectural history with a focus on fifteenth-century sculpture. Noah is an Alabama native. In 2020, he graduated summa cum laude from the University of Alabama, Tuscaloosa, with a Bachelor of Arts. He then obtained a Master of Arts degree from the University of Georgia, Athens. There, under the direction of Dr. Shelley E. Zuraw, he received high honors for his thesis, “Symbolic Epigraphy and the New Rome: Humanist Capital Letters on the Tomb of Leonardo Bruni.”
Noah also has extensive training in archival research and early modern Italian paleography both in the United States and abroad. He was a curatorial intern at the Georgia Museum of Art and a research intern at the Medici Archive Project. His current research examines the development, display, and materials used for fifteenth-century Italian tomb sculpture. Noah’s research also investigates early modern workshop practices and the skill or work-based hierarchies created within these shops.

Arielle Fields

Katherine Flanagan

Laura Freitas Almeida

Emily Hagen

Degree: PhD in Art History
Research Focus: Seventeenth-century Italian architecture
Dissertation title: Pietro da Cortona’s Santi Luca e Martina: Rediscovered Relics and the Spectacle of Reform in Seventeenth-Century Rome
Academic Adviser: Robin Thomas
ekh15@psu.edu | CV

Emily is a Ph.D. candidate in the Department of Art History, focusing on seventeenth-century Italian architecture. A recipient of The Susan W. and Thomas A. Schwartz Endowed Fellowship for Dissertation Research in Art History and the Department of Art History Dissertation Fellowship, Emily is currently living in Rome where she is working in the Barberini family archive at the Vatican Library. She still hasn’t gotten over the novelty of receiving salutes from the Swiss Guard every morning at the Porta Sant’Anna. Emily’s dissertation considers Pietro da Cortona’s Santi Luca e Martina and argues that the fiction of the rediscovery of early-Christian relics enhanced the performative meaning of Cortona’s baroque masterpiece.

Katherine Koltiska

Kyle Marini

Degree: PhD in Art History
Research Focus: Pre-Contact and Early Modern Latin America, Andean Textiles
Dissertation title: TBD
Academic Adviser: Amara Solari
kvm5948@psu.edu | Instagram | LinkedIn

Kyle is a PhD student in pre-contact and early modern Latin American art history. He specializes in the techniques of production, ritual use, and iconography of Inca textiles. He primarily researches ceremonial objects that have been destroyed to recover a more representative view of Inca visual culture before Spanish occupation of the Andes. This approach is in effort to decolonize modern understandings of the Inca developed from the study of objects that survived arduous extirpation campaigns throughout the Viceroyalty of Peru. By emphasizing objects erased from the archive, he reconstructs a history through the most integral Inca artifacts that ceased to exist precisely because of their visual power. Kyle is also a practicing artist, and he uses remaking as a methodology to envision these lost works and the technical processes used by their creators.

Keri Mongelluzzo

Degree: PhD in Art History
Research Focus: History of Photography; Modern Art
Dissertation title: Bauhaus/Dream House: The Uncharted Surrealism of New Vision Photography
Academic Adviser: Nancy Locke
klm556@psu.edu | CV | LinkedIn | Academia.edu

Keri Mongelluzzo is a Ph.D. candidate specializing in the history of photography and modern art in Europe. Her dissertation, “Bauhaus/Dream House: The Uncharted Surrealism of New Vision Photography,” examines how French Surrealist sensibilities gained traction with transient artists associated with the Bauhaus, an innovative school of design in interwar Germany. Tracking key Bauhaus figures as they moved throughout Europe and across the Atlantic, “Bauhaus/Dream House” exposes their messy motivations for evoking surrealist themes amidst surges of nationalism and the rise of fascism. To date, Keri’s dissertation research has been supported by the Department of Art History and the Max Kade German-American Research Institute.

Keri’s broader research and curatorial interests in the histories and theories of photography span the medium’s history. She has written steadily on prominent photographers of the twentieth century, like Man Ray and Eugène Atget, presenting papers at the inaugural conference of the International Society for the Study of Surrealism at the Bucknell Humanities Center and the 24th Annual Graduate Student Symposium on the History of Art at the Barnes Foundation. In addition to curating a number of exhibitions of photography at the Palmer Museum of Art, including Myth Meets Modernism: The Manuel Álvarez Bravo Portfolio (2019) and Framing the City (2018), Keri piloted the museum’s first-ever virtual exhibition, Photography = Abstraction , using Google Slides at the onset of the pandemic and presented her work on this and her collaboration on subsequent virtual exhibitions and tours at the College Art Association Annual Conference in February 2021.

Amy Orner

Degree: PhD in Art History
Research Focus: Eighteenth-Century British Architecture and Urbanism
Academic Adviser: Robin Thomas
aeo5185@psu.edu | LinkedIn

Amy Orner is a PhD student specializing in eighteenth-century British architecture and urbanism, with a focus on Empire and its effects on architecture. Her research questions consider the social and political influences on architecture, as well as the influence of Empire on Scottish town planning. She received her B.A. in Museum Studies/Art History from Juniata College in 2017, before working as a School Programs Educator for The Phillips Collection in Washington, DC. Amy received her M.A. in Art History from Penn State University in 2022 with her thesis titled, “The Palette, the Patron, and the Hand of the Artist: Artemisia Gentileschi in London.”

During her time at Penn State, Amy has worked with the Palmer Museum of Art, the Matson Museum of Anthropology, and as a research fellow in the Center for Virtual/Material Studies.

Alicia Skeath

Kenta Tokushige

Degree: PhD in Art History
Research Focus: Sixteenth-century Italian Military Architecture
Dissertation title: Being a Military Architect: Building Fortifications in Cosimo I de’ Medici’s Realm
Academic Adviser: Robin Thomas
kzt64@psu.edu

Kenta Tokushige is a Ph.D. candidate in Art History at The Pennsylvania State University. His dissertation entitled, Being a ‘Military Architect’: Building Fortifications in Cosimo I de’ Medici’s Realm, studies the geopolitical role of fortification building under Cosimo I de’ Medici in the Grand Duchy of Tuscany in the latter half of the Cinquecento by looking at the design process of a fortification as a collaborative project by people of various social status and the way it was represented in multiple forms of art upon its completion. His research traces the correspondence between the patrons, local governors, and architects regarding the decision-making process and examines the intentions of each individual. Additionally, he is exploring the representation and the circulation of information after the completion of the fortification in relation to the espionage of military information.

His research has been supported by the Samuel H. Kress Foundation and the Susan W. and Thomas A. Schwartz Endowed Fellowship for Dissertation Research.

He completed his B.Arch. and M.A. in Architecture at Waseda University and Master of Architectural History at University of Virginia.

Holli Turner

Degree: PhD in Art History
Research Focus: Art of Early Modern Southern Europe and Colonial Latin America, the materials and materiality of art, technical art history, theories and practices of conservation, race, and representation in art, decolonial practices in art history
Dissertation title: TBD
Academic Adviser: Daniel Zolli
Personal website | hmt5287@psu.edu

Holli M. Turner is a doctoral student specializing in early modern art, with a focus on the art of Italy, Spain, and the Americas. Her dissertation will examine the colonial implications of color – broadly understood – in the Venetian artist Titian’s paintings for the Spanish monarchy. This project knits together several core concerns of her work: the materials and materiality of art; the representation of race and ethnicity in art; and the interpretive importance of invisible labor, and laborers, to art’s history. In Summer 2021, Holli is serving as the Andrew W. Mellon Foundation Research Fellow in Penn State’s Art History department, where she is developing a digital humanities project that tracks Titian’s pigments and their origins.

Holli is a Virginia native that was trained in art history and graphic design before embarking on doctoral study. Her research interests also stem from her own artistry. In her spare time, she paints, illustrates, and creates works through traditional and digital media.

MA Students

Triana Cancel

Alexander Coberly

Degree: MA in Art History
Research Focus: Early modern European and Asian visual culture 
Academic Adviser: James Harper
abc6628@psu.edu  |CV

Alexander is a master’s student interested in artistic encounters between Europe and Asia during the early modern period. While studying at Utah Valley University for his bachelor’s degree, Alexander was involved in several art related projects. Most notable was his participation in Artemisia: An Undergraduate Journal for Art History Research and Criticism and the co-curation of Frank McEntire’s “Spontaneous Memorials” exhibition. Alexander has written and presented on a variety of subjects including Caravaggio, Vaporwave aesthetics, Chaco Canyon, stereography, and Pre-Columbian art. 

Adrienne Krueger

Degree: MA in Art History
Research Focus: 19th Century, Photography, Geography, Colonialism, Materialism
Academic Adviser: Nancy Locke
ack5687@psu.edu

Adrienne is a current MA student studying the theoretical issues of the visual regime of modernity. She is especially interested in how nineteenth-century photography constructs and conveys physical and political landscapes as well as the power structures of industrial capitalism and colonialism. Her undergraduate thesis, “The Commune in Commodities: Bruno Braquehais’s Photography of the Paris Commune of 1871” argues for and demonstrates a materialist approach to the photographic album and considers the politics behind the representation, production, and consumption of the Commune and the implications of its commodification.

Adrienne graduated from the University of Utah in 2021 with an Honors BA in Art History and a BA in International Studies.

Honors & Awards:
Art History Departmental Scholarship, Spring 2020, Graduated Cum Laude, Dean’s List, Trustees Scholarship 2017-2021

Publications & Presentations:
“The Commune in Commodities: Bruno Braquehais’s Photography of the Paris Commune of 1871.” Presented at the Undergraduate Research Symposium. Salt Lake City, Utah, April 2021. 

KateMcCowan

Degree: MA in Art History
Research Focus: Modern and Contemporary Art
kgm5406@psu.edu | Instagram | LinkedIn

Kate is an Art History MA student who specializes in Modern and Contemporary art, with specific interests in interdisciplinary and performance art. She earned her BA in Art History and Dance (with concentrations in performance and education) from Muhlenberg College in 2022 and graduated Summa Cum Laude as a member of Phi Beta Kappa. During her undergraduate education, Kate published two of her research projects through the Muhlenberg Academic Review: “Haring and Basquiat: Artists of the People” (2021) and “Social Consumerism in Immersive Art Experiences” (2022).

Annalise Palmer

Degree: MA in Art History
Research Focus: Modern and Contemporary art, specifically with movement and performance-based work
Academic Adviser: Sarah Rich
lap5966@psu.edu | CV | LinkedIn

Annalise is a first year MA student whose background in dance heavily influences her research. She hopes to expand upon her work as undergraduate student and explore the prevalence of choreographic artworks over the past century. In 2020, Annalise graduated from Centre College with a BA in Art History. During that time, she worked as a Research Assistant within Centre’s Art History Department and as an Intern for Manifest Gallery and the Contemporary Arts Center (CAC) in Cincinnati, Ohio. After graduation, Annalise returned to the CAC as a Cataloging Intern and collaborated with the Robert O’Neal Multicultural Arts Center to catalog the work of local artist and activist, Robert O’Neal. Following this project, she worked as a Teaching and Gallery Assistant with Centre College. Currently, Annalise works as a Teaching Assistant for Penn State.

Ariana Ramirez

Degree: MA in Art History
Research Focus: Pre-Contact West Mexico, Shaft Tomb Funerary Practices 
Academic Adviser: Amara Solari
azr6077@psu.edu | Instagram | LinkedIn

Ariana is an MA student who has been researching the complex funerary traditions of pre-contact western Mexico, specifically of the ceramic human effigies. She was awarded an honorary distinction for her undergraduate senior thesis West Mexican Ceramics in post-Revolutionary Mexico: Frida Kahlo’s Recontextualizing of the Shaft Tomb Culture. This research weaved together academic discussions of pre-contact and modern Mexico to understand the influences reflected in Kahlo’s use of pre-contact effigies. Ariana’s interests lie in further researching various elements of the Mexican Shaft Tomb Culture to expand the discussion of pre-contact Mexico.  

Morning Glory Ritchie

Degree: MA in Art History
Research Focus: Italian and Northern European Baroque Art, Still-Life Painting, History of Connoisseurship
Academic Adviser: James Harper
mjr7139@psu.edu | CV | LinkedIn

Morning Glory Ritchie is an MA student specializing in Italian and Northern European Baroque Art. She focuses on themes of domesticity and mortality of the Caravaggesque still-life genre as well as issues of connoisseurship and misattributions surrounding art collecting during the European Grand Tour. She hopes to continue her research on issues of art collecting and connoisseurship pertaining to Baroque still-life painting and its impact on misattributions in museum collections. Morning Glory received her BA from the Clark Honors College at the University of Oregon (Cum Laude) where she triple-majored in Art History, Art, and Italian, as well as minored in Classical Civilization, earning departmental honors in both Art History and Italian. During her undergraduate studies, Morning Glory won the ‘Gloria Tovar Lee Scholarship for Most Promising Undergraduate in Art History.’ Morning Glory’s honors thesis, Hidden and Unremembered: The Misattributions of the Seventeenth-Century Works by Judith Leyster, Clara Peeters and Rachel Ruysch, which won the ‘Marian C. Donnelly Book Prize for Best Honors Thesis,’ the Clark Honors College awards, ‘Barbara Corrado Pope Award,’ and ‘Frank Herbert Mingle Thesis Research Award.’ She also worked at the Jordan Schnitzer Museum of Art as a Curatorial Intern and as a Research Assistant at the Clark Honors College. Morning Glory currently works as a teaching assistant at Penn State University.

Sofia Rodriguez

Degree: MA in Art History
Research Focus: Pre-Contact Mexico, Indigenous, Latinx, and Chicanx art
Academic Adviser: Amara Solari
shr5197@psu.edu

Sofia is an MA student interested in the art of Pre-Contact Mexico, but also how it relates to the works of contemporary Latin American and Latinx artists. Sofia received their bachelor’s degree from Boston University and was able to intern at the Museum of Fine Arts Boston with the Ellyn McColgan Assistant Curator for Native Art. Throughout this internship, Sofia conducted research for an upcoming print exhibition that will feature works by contemporary Native American printmakers. This sparked Sofia’s interest in connecting art of the past to that of the present. Sofia is looking forward to working on future projects at Penn State.

Grace Tran

Art History Staff

Catherine Adams

Digital Support Specialist| cda122@psu.edu

Carolyn Lucarelli

Manager | cjl8@psu.edu

Emily Sikora

Administrative Support Assistant | ezm59@psu.edu

Erica Nodell

Administrative Support Coordinator | exn30@psu.edu

Retired + Emeritus Faculty

Anthony Cutler

Evan Pugh University Professor Emeritus in Art History; Fellow Emeritus, Institute for the Arts and Humanities | axc6@psu.edu
Specialization: Late Antique and Byzantine Art

William Dewey

Associate Teaching Professor Emeritus | wjd14@psu.edu
Specialization: African, African Diaspora and Oceanic Art

Roland Fleischer

Professor Emeritus of Art History; Fellow Emeritus, Institute for the Arts and Humanities | ref2@psu.edu
Specialization: Northern Renaissance and Baroque: American Colonial

Charlotte Houghton

Associate Professor Emerita of Art History | cmh17@psu.edu
Specialization: Northern European Art, 1400-1750

Jeanne Porter

Associate Professor Emerita of Art History | jcp1@psu.edu
Specialization: Southern Baroque Art

Elizabeth Bradford Smith

Associate Professor Emerita of Art History | exs11@psu.edu
Specialization: Western Medieval Art and Architecture